Power misses II : cinema, Asian and modern /
Like David James' earlier collection of essays, Power Misses: Essays Across (Un)Popular Culture (1996), the present volume, Power Misses II: Cinema, Asian and Modern is concerned with popular cultural activity that propose alternatives and opposition to capitalist media. Now with a wider frame...
| 第一著者: | |
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| フォーマット: | Licensed eBooks |
| 言語: | 英語 |
| 出版事項: |
New Barnet, Herts :
John Libbey Publishing Ltd
[2020]
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| オンライン･アクセス: | https://www.jstor.org/stable/10.2307/j.ctv21hrjb8 |
目次:
- Foreword
- Im Kwon-taek: Korean national cinema and Buddhism
- Im Kwon-taek's use of nativist Korean culture as allegories of cinema: Ch'unhyang, Chihwaseon, and Hanji
- The name of a desire: recollections of socialist realism in East Asian art cinema
- Tradition and the movies: the working-class Asian American avant-garde in Los Angeles
- The sons and daughters of Los: culture and community in Los Angeles
- Toward a geo-cinematic hermeneutics/The city as means of production: representations of Los Angeles in Killer of sheep and Water and power
- Expanded cinema in Los Angeles: the single wing turquoise bird
- L.A.'s hipster cinema
- Film as an instrument of thought, cinema as an augury of redemption: Ken Jacobs' The sky socialist
- "Apotheosis into tragedy": catoptrics of self in Andy Warhol's Lupe
- Letter to Paul Arthur (Letter with endnotes)
- Agricultural revelation: land, labor, and voice in three films about Laxton.