Rethinking Jewishness in Weimar cinema /

"The burgeoning film industry in the Weimar Republic was, among other things, a major site of German-Jewish experience, one that provided a sphere for Jewish "outsiders" to shape mainstream culture. The chapters collected in this volume deploy new historical, theoretical, and methodol...

সম্পূর্ণ বিবরণ

গ্রন্থ-পঞ্জীর বিবরন
বিন্যাস: Licensed eBooks
ভাষা:ইংরেজি
প্রকাশিত: New York : Berghahn Books 2021.
মালা:Film Europa: German cinema in an international context ; volume 24
অনলাইন ব্যবহার করুন:https://www.jstor.org/stable/10.2307/j.ctv287sc73
সূচিপত্রের সারণি:
  • Intro
  • Contents
  • Figures
  • Acknowledgments
  • Introduction
  • The Jewishness of Weimar Cinema
  • Part I
  • Jewish Visibility On and Off Screen
  • Chapter 1
  • Humanizing Shylock: The "Jewish Type" in Weimar Film
  • Chapter 2
  • Energizing the Dramaturgy: How Jewishness Shaped Alexander Granach's Performances in Weimar Cinema
  • Chapter 3
  • The Jewish Vamp of Berlin: Actress Maria Orska, Typecasting, and Jewish Women
  • Chapter 4
  • Jewish Comedians beyond Lubitsch: Siegfried Arno in Film and Cabaret
  • Chapter 5
  • Alfred Rosenthal's Rhetoric of Collaboration, the Politics of Jewish Visbility, and Jewish Weimar Film Print Culture
  • Part II
  • Coding and Decoding Jewish Difference
  • Chapter 6
  • Two Worlds, Three Friends, and the Mysterious Seven-Branched Candelabrum: Jewish Filmmaking in Weimar Germany
  • Chapter 7
  • Homosexual Emancipation, Queer Masculinity, and Jewish Difference in Anders al die Andern (1919)
  • Chapter 8
  • Der Film ohne
  • Chapter 9
  • "The World Is Funny, Like a Dream": Franziska Gaal's Verwechslungskomödien and Exile's Crisis of Identity
  • Part III
  • Jewishness as Antisemitic Construct
  • Chapter 10
  • Cinematically Transmitted Disease: Weimar's Perpetuation of the Jewish Syphilis Conspiracy
  • Chapter 11
  • The Einstein Film: Animation, Relativity, and the Charge of "Jewish Science"
  • Chapter 12
  • "A Clarion Call to Strike Back": Antisemitism and Ludwig Berger's Der Meister von Nürnberg (1927)
  • Chapter 13
  • Banning Jewishness: Stefan Zweig, Robert Siodmak, and the Nazis
  • Chapter 14
  • Detoxification: Nazi Remakes of E.A. Dupont's Blockbusters
  • Coda
  • Chapter 15
  • "Filmrettung: Save the Past for the Future!": Film Restoration and Jewishness in German and Austrian Silent Cinema
  • Afterword
  • Index

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