Breaking the glass armor : neoformalist film analysis /
Hovedforfatter: | |
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Format: | Licensed eBooks |
Sprog: | engelsk |
Udgivet: |
Princeton, N.J. :
Princeton University Press
c1988.
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Online adgang: | https://www.jstor.org/stable/10.2307/j.ctvzxx93s |
Indholdsfortegnelse:
- pt. 1. A neoformalist approach to film analysis: Neoformalist film analysis: one approach, many methods
- pt. The ordinary film: "No, Lestrade, in this case nothing was left to chance": motivation and delay in Terror by night
- pt. 3. Analyzing the dominant: Boredom on the beach: triviality and humor in Les vacances de Monsieur Hulot
- Sawing through the bough: Tout va bien as a Brechtian film
- pt. 4. Defamiliarization within the classical cinema: Duplicitous narration and Stage fright
- Closure within a dream?: point of view in Laura
- pt. 5. A formal look at realism: Realism in the cinema: Bicycle thieves
- An aesthetic of discrepancy: The rules of the game
- pt. 6. The perceptual challenges of parametric form: Play time: comedy on the edge of perception
- Godard's unknown country: Sauve qui peut (la vie)
- The sheen of armor, the whinnies of horses: sparse parametric style in Lancelot du Lac
- Late spring and Ozu's unreasonable style.