Italian film in the light of neorealism - Marcus, Millicent Joy. (Princeton, N.J. : Princeton University Press, 1986)
Rossellini's Open city : the founding -- De Sica's Bicycle thief : casting shadows on the visionary city -- De Santis's Bitter rice : a neorealist hybrid -- De Sica's Umberto D : dark victory for neorealism -- Comencini's Bread, love, and fantasy : consumable realism -- Fellini's La strada : transcending neorealism -- Visconti's Senso : the Risorgimento according to Gramsci -- Antonioni's Red desert : abstraction as the guiding idea -- Olmi's Il posto : discrediting the economic miracle -- Germi's Seduced and abandoned : inside the honor code -- Pasolini's Teorema : the halfway revolution -- Petri's Investigation of a citizen above suspicion : power as pathology -- Bertolucci's The conformist : a morals charge -- Wertmuller's Love and anarchy : the high price of commitment -- Rosi's Christ stopped at Eboli : a tale of two Italies -- The Taviani brothers' Night of the shooting stars : ambivalent tribute to neorealism -- Scola's We all loved each other so much : an epilogue.
Bibliography: p. [423]-436.
Includes index.
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Keywords: Bibel; Motion pictures -- Italy; Realism in motion pictures; Motion pictures -- Italy -- History; Realism in motion pictures; Cinéma -- Italie -- Histoire; Réalisme au cinéma.; Cinéma -- Italie; PERFORMING ARTS -- Film & Video -- History & Criticism; Motion pictures; Realism in motion pictures; Italy; Neorealismus; Italien; Film; Filmkunst; Neorealisme; Geschichte 1945-1982.; Italian neorealist cinema films, 1945-1982 - Critical studies