False documents : inter-American cultural history, literature, and the lost decade (1975-1992) /
""Examines the work of writers and journalists from Hispanic America, Brazil, and the US from the 1970s to 1990s who appropriated history as a tool for repositioning democracies in a hemispheric context in order to expose how governments controlled and misrepresented events"--Provided...
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| Formato: | Licensed eBooks |
| Idioma: | inglés |
| Publicado: |
Columbus :
The Ohio State University Press
[2020]
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| Series: | Global Latin/o Americas.
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| Acceso en liña: | https://www.jstor.org/stable/10.2307/jj.1431202 |
Table of Contents:
- Interdependent methods: postwar cultural history, historical literature, and false documents
- History's return: literary revisionism in North America, Hispanic America, and Brazil during the Lost Decade
- The ends of Argentine democracy: the false memoir(s) and cultural hybridity behind Tomás Eloy Martínez's The Perón Novel
- The "dialectics" of feminist Caribbean history: Laura Antillano, José Martí, and the Venezuelan Lost Decade
- History at the periphery: postdictatorial literature and the abandoned generation of Ana Maria Machado's Tropical Sun of Liberty
- Allegorizing Brazilian history: Silviano Santiago's In Liberty, invisible texts, and ideological patrols
- The many deaths of Che Guevara: Jay Cantor's anxiety of origins and the limits of transnationalism
- Renewing history? John Updike's critique of cultural studies and the two Americas in Memories of the Ford Administration