Focal impulse theory : musical expression, meter, and the body /
"Music is surrounded by movement, from the blues guitarist tapping his foot to the violinist swaying with each bow stroke. To John Paul Ito, these actions are more than just a performance gimmick; rather, they are directly linked to the generation of sound and, importantly, the feeling that sou...
| Үндсэн зохиолч: | |
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| Формат: | Licensed eBooks |
| Хэл сонгох: | англи |
| Хэвлэсэн: |
Bloomington, Indiana :
Indiana University Press
[2020]
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| Цуврал: | Musical meaning and interpretation.
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| Онлайн хандалт: | https://www.jstor.org/stable/10.2307/j.ctv1c3pdp3 |
Агуулга:
- 9. Anticipations and Secondary Focal Impulses
- 10. Inflecting Focal Impulses Downward and Upward
- 11. More Advanced Uses of Inflected Impulse Cycles
- 12. Performing Metrical Dissonance
- Part 4. Connecting Focal Impulse Theory
- 13. Connections with Psychology
- 14. Connections with Other Music Scholarship
- Part 5. Applying Focal Impulse Theory
- 15. Metrical Dissonance in Brahms
- 16. The First Movements of the Brahms Sonatas op. 120
- Conclusions: Placing Focal Impulse Theory in Larger Contexts
- Glossary: Focal Impulse Symbols and Their Definitions
- References
- Discography
- Cover
- Title Page
- Copyright
- Contents
- Accessing Audiovisual Materials
- Preface
- Copyright Acknowledgments
- Part 1. Introduction
- 1. Introducing the Focal Impulse and Its Theory
- 2. Foundations in Music Theory and Cognitive Science
- Part 2. Basic Focal Impulse Theory
- 3. The Basic Concept of the Focal Impulse
- 4. Focal Impulses and Meter: The Simplest Cases
- 5. The Sound of Focal Impulses
- 6. More on Focal Impulses and Meter
- 7. Focal Impulses and Characters of Syncopation
- Part 3. Expanding Focal Impulse Theory
- 8. Special Cases of Focal Impulse Placement