TY  - GEN
T1  - Fluid bodies and bodily fluids in premodern Europe : bodies, blood, and tears in literature, theology, and art
T2  - Borderlines (Leeds, England)
A2  - Barbezat, Michael D.
A2  - Scott, Anne M.
LA  - English
PP  - Leeds
PB  - Arc Humanities Press
YR  - 2019
UL  - https://ebooks.jgu.edu.in/Record/jstor_eba_on1121654037
AB  - For medieval and early modern thinkers, the apparent solidity of the body only came about through the dynamic interplay of a host of fluidities in constant flux. This interdisciplinary collection of essays, containing chapters from specialists in history, art history, medical history, and literature, examines how the intimately familiar language of the body served as a convenient medium through which to imagine and describe transformations of the larger world, both for the better and also for the worse. Its individual contributors demonstrate the myriad ways in which rethinking the human body was one way to approach rethinking the social, political, and religious realities of the world from the Middle Ages until the early modern period
OP  - 203
CN  - GT495 .F583 2019
SN  - 9781641892391
SN  - 1641892390
SN  - 9781641892384
SN  - 1641892382
KW  - Human body : Religious aspects.
KW  - Human figure in art.
KW  - Human body in literature.
KW  - Human body : Symbolic aspects : Europe : History : To 1500.
KW  - Human beings in art.
KW  - Corps humain : Aspect religieux.
KW  - Corps humain dans l'art.
KW  - Corps humain dans la littérature.
KW  - Corps humain dans l'art : Technique.
KW  - HISTORY : Renaissance.
KW  - Human body in literature
KW  - Human body : Religious aspects
KW  - Human body : Symbolic aspects
KW  - Human figure in art
KW  - Europe
KW  - To 1500
KW  - History
ER  -