Spanish cinema against itself : cosmopolitanism, experimentation, and militancy /
Spanish Cinema against Itself maps the evolution of Spanish surrealist and politically committed cinematic traditions from their origins in the 1930s'with the work of Luis BuNuel and Salvador DalI, experimentalist JosE Val de Omar, and militant documentary filmmaker Carlos Velo'through to...
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| 格式: | Licensed eBooks |
| 語言: | 英语 |
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Bloomington, Indiana :
Indiana University Press
[2020]
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| 叢編: | New directions in national cinemas.
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| 在線閱讀: | https://www.jstor.org/stable/10.2307/j.ctvx8b7wd |
書本目錄:
- Introduction: differance. otherness. experiment
- Interrogations of the national allegory: trance film and ethnography
- Intermediality, intoxication, and the infrathin
- The discontinuous legacies of Pere Portabella: between heritage and inheritance
- History, hauntology, representation: Spanish cinema against itself
- The ex of experimentation: against periodization
- The catacoustic and the cosmopolitan: rhythm and timbre in the films of Andres Duque
- Turns and returns, envois/renvois: the postal effect in recent Spanish film
- Retrospective future perfect: history, black holes, and time warps in the films of los hijos and Luis López Carrasco
- "No nos representan!": performativity as militant film, the 15-M Archive
- Afterword: unruly archives. La decima carta and Buenas noches, España.