Hearing voices : aurality and new Spanish sound culture in Sor Juana Inés de la Cruz /
Hearing Voices takes a fresh look at sound in the poetry and prose of colonial Latin American poet and nun Sor Juana Inés de la Cruz (1648/51-95). A voracious autodidact, Sor Juana engaged with early modern music culture in a way that resonates deeply in her writing. Despite the privileging of harm...
| Kaituhi matua: | |
|---|---|
| Hōputu: | Licensed eBooks |
| Reo: | Ingarihi |
| I whakaputaina: |
Lincoln :
University of Nebraska Press
[2019]
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| Rangatū: | New hispanisms.
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| Urunga tuihono: | https://www.jstor.org/stable/10.2307/j.ctvb1hr9g |
Rārangi ihirangi:
- Harmony : order and authority in occasional poems
- Resonance : intersections of music and other arts
- Sound : female auralities in the villancicos
- Echo : repercussions of feminine intellect
- Silence : transgressions and feminine revoicings
- Coda : re-sounding voices.