Montage as Perceptual Experience. - Slugan, Mario (Melton, UNKNOWN : Boydell & Brewer, 2017)
Introduction -- The art of montage in the age of hyperstimulation -- The birth of literary montage from the spirit of contemporary reviews of Berlin Alexanderplatz -- Montage practice: the redemption of Jutzi's Berlin Alexanderplatz -- Fassbinder's Berlin Alexanderplatz, symphony of an invisible city -- Conclusion.
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Includes bibliographical references and index.
JSTOR
Keywords: Döblin, Alfred, -- 1878-1957.; Döblin, Alfred, -- 1878-1957 -- Film adapatations; Berlin Alexanderplatz (Motion picture); Jutzi, Piel -- Criticism and interpretation; Berlin Alexanderplatz (Television program); Fassbinder, Rainer Werner, -- 1945-1982 -- Criticism and interpretation; Döblin, Alfred, -- 1878-1957; Fassbinder, Rainer Werner, -- 1945-1982; Jutzi, Piel; Berlin Alexanderplatz (Döblin, Alfred); Berlin Alexanderplatz (Television program); Montage; Montage (Arts); montage (image-making technique); LITERARY CRITICISM -- European -- German; Montage; Criticism, interpretation, etc