Dismantling the dream factory : gender, German cinema, and the postwar quest for a new film language /
The history of postwar German cinema has most often been told as a story of failure, a failure paradoxically epitomized by the remarkable popularity of film throughout the late 1940s and 1950s. Through the analysis of 10 representative films, Hester Baer reassesses this period, looking in particular...
| Kaituhi matua: | |
|---|---|
| Hōputu: | Licensed eBooks |
| Reo: | Ingarihi |
| I whakaputaina: |
New York :
Berghahn Books
2009.
|
| Rangatū: | Film Europa ;
v. 9. |
| Urunga tuihono: | https://www.jstor.org/stable/10.2307/j.ctt9qcr2c |