Tricksters and cosmopolitans : cross-cultural collaborations in Asian American literary production /
"Tricksters and Cosmopolitans is the first sustained exploration into the history of cross-cultural collaborations between Asian American writers and their non-Asian American editors and publishers. The volume focuses on the literary production of the cosmopolitan subject, featuring the writers...
| Tác giả chính: | |
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| Định dạng: | Licensed eBooks |
| Ngôn ngữ: | Tiếng Anh |
| Được phát hành: |
New York :
Fordham University Press
2016.
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| Phiên bản: | First edition. |
| Truy cập trực tuyến: | https://www.jstor.org/stable/10.2307/j.ctt1c0gmwv |
Mục lục:
- Cover; Half-Title; Title; Copyright; Contents; Acknowledgments; Introduction; 1 Trickster Poetics at the Turn of the Twentieth Century; Locating Trickster Poetics: Charles Chesnutt's The Conjure Woman (1889) and Walter Hines Page; Silence as Signifying: Sui Sin Far's Short Stories and William Hayes Ward; 2 The Making of the Cosmopolitan Subject; San Francisco's Multicultural Avant-Garde Literary Scene; A Star Is Born: Narrative Construction of the Cosmopolitan Subject in Jessica Hagedorn's ""Pet Food""
- The Death of the Artist: Narrative Construction of the Cosmopolitan Subject in Jessica Hagedorn's Pet Food, Side BStephen Vincent, Momo's Press, and the Crafting of Pet Food
- 3 L.A.-Paris-New York: The Parameters of Literary Production at the Turn of the Twenty-First Century; Animating the Global South in Karen Tei Yamashita's Tropic of Orange (1998); Identifying the Imperial-Colonial Register in Monique Truong's The Book of Salt (2003); Chick Lit Goes to Wall Street: Min Jin Lee's Free Food for Millionaires (2007); Notes; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; R; S; T.