Alternative projections : experimental film in Los Angeles 1945-1980 /
Alternative Projections: Experimental Film in Los Angeles, 1945-1980 is a groundbreaking anthology that features papers from a conference and series of film screenings on postwar avant-garde filmmaking in Los Angeles sponsored by Filmforum, the Getty Foundation, and the University of Southern Califo...
| Tác giả của công ty: | |
|---|---|
| Tác giả khác: | , |
| Định dạng: | Licensed eBooks |
| Ngôn ngữ: | Tiếng Anh |
| Được phát hành: |
New Barnet, Herts [England] :
John Libbey Publishing
[2015]
|
| Truy cập trực tuyến: | https://www.jstor.org/stable/10.2307/j.ctt16gz99w |
Mục lục:
- Foreword / Adam Hyman
- Introduction / David E. James
- Historical materials. Introduction / David E. James
- Distribution center for experimental films / Curtis Harrington
- Personal chronicle: the making of an experimental film / Curtis Harrington
- A letter from the West Coast / Robert Pike
- Amateur vs. professional / Maya Deren
- Personal state meant / John Fles
- A statement / Curtis Harrington
- Are movies junk / John Fles
- Los Angeles Film Festival / Jack Hirschman
- Seeing is believing / John Fles
- Underground movies rise to the surface / Kevin Thomas
- Students reflect future of cinema / Gene Youngblood
- Woman as ethnographic filmmaker / Chick Strand
- Mouse enigma: auto-history of a film person / Peter Mays
- Scholarship. Introduction / David E. James
- Scarlet woman on film: Inauguration of the pleasure dome and The Wormwood Star: Kenneth Anger, Curtis Harrington, Marjorie Cameron, and Los Angeles alternative film and culture in the early 1950s / Alice Hutchison
- Against transparency: Jonas Mekas, Vernon Zimmerman, and the West Coast contribution to the new American cinema / Josh Guilford
- Vicarious Vicario: restocking John Vicario's forgotten Shoppers market (1963) / Ken Eisenstein
- Raymond Rohauer and the Society of Cinema Arts (1948-1962): giving the devil his due / Tim Lanza
- For love and/or money: exhibiting avant-garde film in Los Angeles 1960-1980 / Alison Kozberg
- Kent Mackenzie's The exiles: reinventing the real of cinema / Ross Lipman
- Taylor Mead, a faggot in Venice Beach in 1961 / Marc Siegel
- Ed Ruscha's moving pictures / Matt Reynolds
- Asco's Super-8 cinema and the specter of muralism / Jesse Lerner
- Inner-city symphony: Water ritual #1: an urban rite of purification / Veena Hariharan
- Not just a day job: experimental filmmakers and the special effects industry in the 1970s and 1980s / Julie Turnock
- Storm, stress, and structure: the collaborative cinema of Roberta Friedman and Grahame Weinbren / Juan Carlos Kase
- Nun notes and deviant longings / Erika Suderburg
- Currents direct and alternating: Water and power and other works by Pat O'Neill / Grahame Weinbren
- Screenings. Alternative projections screenings series / Adam Hyman.