Imperial projections : screening the German colonies /
The beginning of filmmaking in the German colonies coincided with colonialism itself coming to a standstill. Scandals and economic stagnation in the colonies demanded a new and positive image of their value for Germany. By promoting business and establishing a new genre within the fast growing film...
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| Format: | Licensed eBooks |
| Idioma: | anglès |
| Publicat: |
New York ; Oxford :
Berghahn Books
[2015]
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| Col·lecció: | Film Europa.
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| Accés en línia: | https://www.jstor.org/stable/10.2307/j.ctt9qcxcz |
Taula de continguts:
- Introduction
- The beginning of colonial film culture in Imperial Germany. From the variety theatre to the German colonial society
- Carl Muller: a colonial film maker
- The DKG's film shows: the colonies in motion
- Addressing the masses. The 'Hottentot election' of 1907
- The DKG's Kinematographenkampagne
- Rise and fall of the Kinemtographenkampagne
- Ethnographic filmmaking in the colonies
- Karl Weule in German East Africa
- The expedition in context: modern German ethnography
- Filming in the Colonies: Training and Improvisation
- Tourism, Entertainment, and Colonial Ideology. Colonial Films in Public Cinema
- The colonial travelogue
- Colonial films in transition: Robert Schumann's comeback
- Colonial film propaganda during the First World War. Setting up colonial war propaganda
- The Deutsche Kolonial-filmgesellschaft (DEUKO)
- Conclusion. Beyond the colonial era.