Cinema approaching reality : locating chinese film theory /
In Cinema Approaching Reality, Victor Fan brings together, for the first time, Chinese and Euro-American film theories and theorists to engage in critical debates about film in Shanghai and Hong Kong from the 1920s through 1940s. His point of departure is a term popularly employed by Chinese film cr...
| প্রধান লেখক: | |
|---|---|
| বিন্যাস: | Licensed eBooks |
| ভাষা: | ইংরেজি |
| প্রকাশিত: |
Minneapolis :
University of Minnesota Press
2015.
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| অনলাইন ব্যবহার করুন: | https://www.jstor.org/stable/10.5749/j.ctt13x1mff |
সূচিপত্রের সারণি:
- Introduction
- Approaching reality: Chinese ontology and the potentiality of time
- Cinema of thought: directed consciousness in Chinese Marxist film theory
- Soft film theory: life in all its presence and concreteness
- Fey Mou: the presence of an absence
- Cinema of ideation, cinema of play: the early Cantonese sound film
- Conclusion.