Cinema at the margins /

More and more, just a few canonical classics, such as Michael Curtiz's "Casablanca" (1942) or Victor Fleming's "Gone With The Wind" (1939), are representing the entire film output of an era, to a new generation that knows little of the past, and is encouraged by popular...

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书目详细资料
主要作者: Dixon, Wheeler W., 1950- (Author)
格式: Licensed eBooks
语言:英语
出版: London ; New York : Anthem Press [2013]
丛编:New perspectives on world cinema.
在线阅读:https://www.jstor.org/stable/10.2307/j.ctt1gxp9v0
书本目录:
  • Part 1. Genre
  • The future catches up with the past: Peter Bogdanovich's targets
  • Surrealism and sudden death in the films of Lucio Fulci
  • Flash Gordon and the 1930s and 40s science fiction serial
  • Just the facts, man: the complicated genesis of television's Dragnet
  • The disquieting aura of Fabián Bielinsky
  • Part 2. History
  • Fast worker: the films of Sam Newfield
  • The power of resistance: Les Dames du Bois de Boulogne
  • Beyond characterization: performance in 1960s
  • Experimental cinema
  • Vanishing point: the last days of film
  • Part 3. Interviews
  • "Let the sleepers sleep and the haters hate": an interview with Dale "Rage" Resteghini
  • Margin call: an interview with J.C. Chandor
  • "All my films are personal": an interview with Pat Jackson
  • Working within the system: an interview with Gerry O'Hara
  • Andrew V. McLaglen: last of the Hollywood professionals
  • Pop star, director, actor: an interview with Michael Sarne.