TY  - GEN
T1  - Film theory : creating a cinematic grammar
T2  - Short cuts (London, England)
A1  - Colman, Felicity, 1967-
LA  - English
PP  - New York
PB  - Columbia University Press
YR  - 2014
UL  - https://ebooks.jgu.edu.in/Record/jstor_eba_ocn890089806
AB  - Film Theory addresses the core concepts and arguments created or used by academics, critical film theorists, and filmmakers, including the work of Dudley Andrew, Raymond Bellour, Mary Ann Doane, Miriam Hansen, bell hooks, Siegfried Kracauer, Raul Ruiz, P. Adams Sitney, Bernard Stiegler, and Pier Paolo Pasolini. This volume takes the position that film theory is a form of writing that produces a unique cinematic grammar; and like all grammars, it forms part of the system of rules that govern a language, and is thus applicable to wider range of media forms. In their creation of authorial trends, identification of the technology of cinema as a creative force, and production of films as aesthetic markers, film theories contribute an epistemological resource that connects the technologies of filmmaking and film composition. This book explores these connections through film theorisations of processes of the diagrammatisation (the systems, methodologies, concepts, histories) of cinematic matters of the filmic world.
OP  - 145
CN  - PN1994 .C65 2014eb
SN  - 9780231850605
SN  - 0231850603
SN  - 9780231169738
KW  - Motion pictures.
KW  - Film criticism.
KW  - Critique cinématographique.
KW  - Cinéma.
KW  - PERFORMING ARTS : Reference.
KW  - PERFORMING ARTS : Film & Video : Reference.
KW  - Film criticism
KW  - Motion pictures
ER  -