The counter-cinema of the Berlin School /
The group of contemporary German directors collectively known as the "Berlin School" constitutes the most significant filmmaking movement to come out of Germany since the New German Cinema of the 1970s, not least because its films mark the emergence of a new film language in German cinema....
| 主要作者: | |
|---|---|
| 格式: | Licensed eBooks |
| 语言: | 英语 |
| 出版: |
Rochester, New York :
Camden House
[2013]
|
| 丛编: | Screen cultures.
|
| 在线阅读: | https://www.jstor.org/stable/10.7722/j.ctt3fgnfg |
书本目录:
- Introduction: "So this was Germany?" a preliminary account of the Berlin School
- The first wave. Thomas Arslan: realism beyond identity
- Christian Petzold: Heimat-building as utopia
- Angela Schanelec: narrative, understanding, language
- The second wave. Revolver-cinema and "lectrons libres" "cinema must be dangerous"
- Christoph Hochhäusler: intensifying life
- Benjamin Heisenberg: filming simply as resistance
- Valeska Grisebach: "a sharpening of our regard"
- Maren Ade: filming the (ab)normality of social conventions
- Ulrich Köhler: the politics of refusal
- Conclusion: a counter-cinema.