TY - GEN T1 - Since Meiji : perspectives on the Japanese visual arts, 1868-2000 A2 - McCallum, Toshiko M. (Toshiko Miyabayashi), 1943- A2 - Rimer, J. Thomas LA - English LA - Japanese PP - Honolulu PB - University of Hawaiʻi Press YR - 2011 UL - https://ebooks.jgu.edu.in/Record/jstor_eba_ocn794925371 AB - Research outside Japan on the history and significance of the Japanese visual arts since the beginning of the Meiji period (1868) has been, with the exception of writings on modern and contemporary woodblock prints, a relatively unexplored area of inquiry. In recent years, however, the subject has begun to attract wide interest. As is evident from this volume, this period of roughly a century and a half produced an outpouring of art created in a bewildering number of genres and spanning a wide range of aims and accomplishments. Since Meiji is the first sustained effort in English to discuss in any depth a time when Japan, eager to join in the larger cultural developments in Europe and the U.S., went through a visual revolution. Indeed, this study of the visual arts of the nineteenth and twentieth centuries suggests a fresh history of modern Japanese culture--one that until now has not been widely visible or thoroughly analyzed outside that country. In this extensive collection, which includes some 190 black-and-white and color reproductions, scholars from Japan, Europe, Australia, and America explore an impressive array of subjects: painting, sculpture, prints, fashion design, crafts, and gardens. The works discussed range from early Meiji attempts to create art that referenced Western styles to postwar and contemporary avant-garde experiments. There are, in addition, substantive investigations of the cultural and intellectual background that helped stimulate the creation of new and shifting art forms, including essays on the invention of a modern artistic vocabulary in the Japanese language and the history of art criticism in Japan, as well as an extensive account of the career and significance of perhaps the best-known Japanese figure concerned with the visual arts of his period, Okakura Tenshin (1862-1913), whose Book of Tea is still widely read today. Taken together, the essays in this volume allow readers to connect ideas and images, thus bringing to light larger trends in the Japanese visual arts that have made possible the vitality, range, and striking achievements created during this turbulent and lively period. OP - 516 NO - Includes index. CN - N7354.5 .S56 2011 SN - 9780824861025 SN - 0824861027 SN - 0824834410 SN - 9780824834418 SN - 0824835824 SN - 9780824835828 SN - 0824871235 SN - 9780824871239 KW - Chōsen Kōgei Kenkyūkai KW - Art, Japanese : 1868- KW - Art japonais : 1868- KW - ART : History : General. KW - ART : History : Modern (late 19th Century to 1945) KW - Art, Japanese KW - Kunst KW - Japan KW - Since 1868 ER -