Concentrationary cinema : aesthetics as political resistance in Alain Resnais's Night and fog (1955) /
Since its completion in 1955, Alain Resnais's Night and Fog (Nuit et Brouillard) has been considered one of the most important films to confront the catastrophe and atrocities of the Nazi era. But was it a film about the Holocaust that failed to recognize the racist genocide? Or was the film no...
| Weitere Verfasser: | , |
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| Format: | Licensed eBooks |
| Sprache: | Englisch |
| Veröffentlicht: |
New York :
Berghahn Books
2011.
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| Online-Zugang: | https://www.jstor.org/stable/10.2307/j.ctt9qd4z8 |
Inhaltsangabe:
- Introduction / Griselda Pollock and Max Silverman
- Night and fog: a history of gazes / Sylvie Lindeperg
- Memory of the camps / Kay Gladstone
- Opening the camps, closing the eyes: image, history, readability / Georges Didi-Huberman
- Resnais and the dead / Emma Wilson
- Night and fog and the concentrationary gaze / Libby Saxton
- Auschwitz as allegory in Night and fog / Deborati Sanyal
- Night and fog and posttraumatic cinema / Joshua Hirsch
- Fearful imagination: Night and fog and concentrationary memory / Max Silverman
- Disruptive histories: toward a radical politics of remembrance in Alain Resnais's Night and fog / Andrew Hebard
- Cinema as a slaughterbench of history: Night and fog / John Mowitt
- Death in the image: the responsibility of aesthetics in Night and fog (1955) and Kapo (1959) / Griselda Pollock.