The new Neapolitan cinema /

Vito and the Others (1991), Death of a Neapolitan Mathematician (1992) and Libera (1993), the debuts of three young Neapolitan filmmakers, stood out dramatically from the landscape of Italian cinema in the early 1990s. On the back of their critical success, over the next decade and a half, Naples be...

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Hlavní autor: Marlow-Mann, Alex
Médium: Licensed eBooks
Jazyk:angličtina
Vydáno: Edinburgh : Edinburgh University Press 2011.
Edice:Traditions in world cinema.
On-line přístup:https://www.jstor.org/stable/10.3366/j.ctt1r1x9g
Obsah:
  • Cover; Copyright; CONTENTS; ILLUSTRATIONS; ACKNOWLEDGEMENTS; NOTE; GLOSSARY; TRADITIONS IN WORLD CINEMA; INTRODUCTION; 1. NEAPOLITAN CINEMA AND THE ITALIAN FILM INDUSTRY; 2. CHARACTERISTICS AND FUNCTIONS OF THE NEAPOLITAN FORMULA; 3. ESTRANEI ALLA MASSA: THE NEW NEAPOLITAN CINEMA AND THE CRISIS OF NAPOLETANITÀ; 4. GOLD AND DUST: HYBRIDITY, POSTMODERNISM AND THE LEGACY OF NEAPOLITAN NARRATIVE; 5. SYMBOLIC POLITICS: THE NEAPOLITAN RENAISSANCE AND THE POLITICS OF THE NEW NEAPOLITAN CINEMA; CONCLUSION; APPENDICES; FILMOGRAPHY; SELECT BIBLIOGRAPHY; INDEX.