Film narratology /
In Film Narratology, Peter W.J. Verstraten makes film narratives his primary focus, while noting the unexplored and essentially different narrative effects that film can produce with mise-en-scCne, cinematography, and editing.
| Tác giả chính: | |
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| Tác giả khác: | |
| Định dạng: | Licensed eBooks |
| Ngôn ngữ: | Tiếng Anh Tiếng Hà Lan |
| Được phát hành: |
Toronto ; Buffalo, N.Y. :
University of Toronto Press
©2009.
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| Truy cập trực tuyến: | https://www.jstor.org/stable/10.3138/j.ctv2fjwz36 |
Mục lục:
- Is cinema essential narrative?
- Basic principles of narratology
- The narrative impact of the mise en scène
- The narrative impact of cinematography
- Story and fabula disconnected through editing
- The visual narrator and visual focalization
- Tension between the visual and auditive narrators
- Sound as a narrative force
- The narrative principles of genres
- Filmic excess : when style drowns the plot
- Appendix : The virgin suicides as a test case.