Utopia, carnival, and commonwealth in Renaissance England /
With the emergence of utopia as a cultural genre in the sixteenth century, a dual understanding of alternative societies, as either political or literary, took shape. In Utopia, Carnival, and Commonwealth in Renaissance England, Christopher Kendrick argues that the chief cultural-discursive conditio...
| 主要作者: | |
|---|---|
| 格式: | Licensed eBooks |
| 語言: | 英语 |
| 出版: |
Toronto ; Buffalo :
University of Toronto Press
©2004.
|
| 叢編: | CEL - Canadian Publishers Collection.
|
| 在線閱讀: | https://www.jstor.org/stable/10.3138/9781442682993 |
書本目錄:
- Utopian Differences
- Defining Middles: Morris, Fourier, Marx
- Defining Beginnings: Utopia
- Carnival and Utopia
- Utopia as the Negation of Carnival
- Carnival Strikes Back: Rabelais's Abbey of Theleme
- Utopia and the Commonwealth
- Conjuring Revolution in the Dialogue of Counsel
- The Body Politic and Utopia in A Dialogue of Pole and Lupset
- A Discourse of the Commonweal, the East Anglian Rebellion, and the End of the Smallholding Utopia
- Sprung Desire and Groups in Flux: On the Politics of the Utopian Impulse in Marlowe and Shakespeare
- Travesty, Allegory, and the Political Effectivity of Renaissance Drama
- Marlowe and the Utopia of Sprung Desire
- Groups in Flux in Shakespeare's Henry IV, Part I
- Flights from the Tudor Settlement; or, Carnival and Commonwealth Revised
- Nashe's Lenten Utopia
- The Imperial Lab: Discovering Forms in The New Atlantis.