Children of Marx and Coca-Cola : Chinese avant-garde art and independent cinema /
Children of Marx and Coca-Cola affords a deep study of Chinese avant-garde art and independent cinema from the mid-1990s to the beginning of the twenty-first century. Informed by the author's experience in Beijing and New York--global cities with extensive access to an emergent transnational Ch...
| 第一著者: | |
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| フォーマット: | Licensed eBooks |
| 言語: | 英語 |
| 出版事項: |
Honolulu :
University of Hawai'i Press
©2010.
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| シリーズ: | Critical interventions (Honolulu, Hawaii)
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| オンライン･アクセス: | https://www.jstor.org/stable/10.2307/j.ctt6wr296 |
目次:
- Reading Chinese avant-garde art and independent cinema in context
- Re-creating urban space in avant-garde art
- Discourse and displacement : contemplating Beijing's urban landscape
- Beijing : Yin Xiuzhen's The ruined city
- Globalism or nationalism? : Cai Guoqiang, Zhang Huan, and Xu Bing in New York
- China's lost youth through the lens of independent cinema
- New Chinese cinema of the "sixth generation" : a distant cry of forsaken children
- Behind Chinese walls : the uncanny power of matriarchy in Wang Chao's Anyang orphan
- The imagery of postsocialist trauma in Peacock, Shanghai dreams, and Stolen life
- In quest of meaning in a spiritual void : film and video
- Jia Zhangke's cinematic trilogy : a journey across the ruins of post-Mao China
- The video works of Yang Fudong : an ultimate escape from a global nightmare
- Ning Hao's Incense : a curious tale of early Buddhism
- Chinese artists and filmmakers at the beginning of a new century.