TY  - GEN
T1  - Film hieroglyphs : ruptures in classical cinema
A1  - Conley, Tom
LA  - English
PP  - Minneapolis
PB  - University of Minnesota Press
YR  - 2006
UL  - https://ebooks.jgu.edu.in/Record/jstor_eba_ocn182856808
AB  - At a time when traditional film theory privileged the purely visual, Film Hieroglyphs introduced a new way of watching film-examining the ways in which writing bears on cinema. Author Tom Conley gives special consideration to the points (ruptures) at which story, image, and writing appear to be at odds with one another. Conley hypothesizes that major directors-Renoir, Lang, Walsh, Rossellini-tend unconsciously to meld history and ideology. Graphic elements are seen as simultaneously foreign and integral to the field of the image. From these contradictions hieroglyphs emerge that mark a design.
OP  - 252
NO  - Originally published: Minneapolis : University of Minnesota Press, 1991.
CN  - PN1995 .C63 2006eb
SN  - 9780816699278
SN  - 0816699275
SN  - 0816649707
SN  - 9780816649709
KW  - Motion picture plays : History and criticism.
KW  - Electronic books.
KW  - Scénarios de cinéma : Histoire et critique.
KW  - Livres numériques.
KW  - e-books.
KW  - PERFORMING ARTS : Film & Video : Reference.
KW  - PERFORMING ARTS : Film & Video : History & Criticism.
KW  - Motion picture plays
KW  - Criticism, interpretation, etc.
ER  -