TY  - GEN
T1  - Body shots : early cinema's incarnations
A1  - Auerbach, Jonathan, 1954-
LA  - English
PP  - Berkeley
PB  - University of California Press
YR  - 2007
UL  - https://ebooks.jgu.edu.in/Record/jstor_eba_ocn182574262
AB  - Argues that it was the human form in motion that most profoundly shaped early cinema. Situating his discussion in a political and historical context, the author begins his analysis with films that reveal striking anxieties and preoccupations about persons on public display. It also considers twentieth-century American incarnation of cinema itself.
OP  - 200
CN  - PN1995.9.B62 A84 2007eb
SN  - 9780520941199
SN  - 0520941195
SN  - 9781435611450
SN  - 1435611454
SN  - 1282772279
SN  - 9781282772274
SN  - 9786612772276
SN  - 6612772271
SN  - 9780520252592
SN  - 0520252594
SN  - 9780520252936
SN  - 0520252934
KW  - Human body in motion pictures.
KW  - Silent films : History and criticism.
KW  - Corps humain au cinéma.
KW  - Films muets : Histoire et critique.
KW  - PERFORMING ARTS : Film & Video : Reference.
KW  - PERFORMING ARTS : Film & Video : General.
KW  - Human body in motion pictures
KW  - Silent films
KW  - 19th century american film history.
KW  - 20th century american film history.
KW  - american film.
KW  - american fireman.
KW  - bodies in public.
KW  - bodies in space.
KW  - cinema of attractions.
KW  - cinema production.
KW  - cinema.
KW  - corporeal movement.
KW  - early cinema.
KW  - film history.
KW  - film narrative.
KW  - film studies.
KW  - film.
KW  - human form in motion.
KW  - movie history.
KW  - movie studies.
KW  - movies.
KW  - persons on public display.
KW  - presidential candidate.
KW  - self consciousness.
KW  - visual art.
KW  - visual spectacle.
KW  - william mckinley.
KW  - Criticism, interpretation, etc.
ER  -