Freedom to offend : how New York remade movie culture /
In the postwar era, producers and consumers of cinema began to demand more freedom to make and view movies that accurately portrayed the complexities of real life. In Freedom to Offend, Raymond J. Haberski Jr. details the battles, fought largely in New York City, to secure "freedom of the scree...
| المؤلف الرئيسي: | |
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| التنسيق: | Licensed eBooks |
| اللغة: | الإنجليزية |
| منشور في: |
Lexington :
University Press of Kentucky
©2007.
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| سلاسل: | Book collections on Project MUSE.
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| الوصول للمادة أونلاين: | https://www.jstor.org/stable/10.2307/j.ctt2jcqt7 |
جدول المحتويات:
- Front cover; Copyright; Contents; Acknowledgments; Introduction; 1. The Web of Control; 2. The Miracle and Bosley Crowther; 3. Baby Doll and Commnweal Criticism; 4. Amos Vogel and Confrontational Cinema; 5. The ""Flaming"" Freedom of Jonas Mekas; 6. The End of New York Movie Culture; 7. Did Bonnie and Clyde Kill Bosley Crowther?; 8. The Failure of Porno Chic; Conclusion: The Irrelevance of Controversial Culture; Notes; Bibliography; Index.