Making easy listening : material culture and postwar American recording /
In Making Easy Listening, Tim J. Anderson analyzes the period between the Second World War and the mid-1960s that saw the American music industry engaged in a fundamental transformation in how music was produced and experienced. Anderson presents a social and cultural history of musical production t...
| Tác giả chính: | |
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| Định dạng: | Licensed eBooks |
| Ngôn ngữ: | Tiếng Anh |
| Được phát hành: |
Minneapolis :
University of Minnesota Press
©2006.
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| Loạt: | Commerce and mass culture series.
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| Truy cập trực tuyến: | https://www.jstor.org/stable/10.5749/j.cttttrh4 |
Mục lục:
- Introduction : opening tracks
- Managing the recording process and rethinking the recording bans. Buried under the fecundity of his own creations : the first strike of the American Federation of Musicians ; Counterreform and resignation : the second strike of the American Federation of Musicians
- Production, reproduction, and the case of My fair lady. Which voice best becomes the property? stitching the intertext of My fair lady ; Listening to my My fair lady : versioning and the recorded music object
- Stereo, hi-fi, and the modern pleasures of easy listening. A tale of two ears : the concert hall aesthetic and stereo ; Space, the pliable frontier : stereo as the new spatial palette of audio
- Conclusion : the flip side (and a few concluding thoughts).