The queer composition of America's sound : gay modernists, American music, and national identity /
Hubbs shows how a group of gifted Manhattan-based gay composers were pivotal in creating a distinctive 'American sound' & in the process served as architects of modern American identity. She focuses on the circle that included Leonard Bernstein, Aaron Copland, Paul Bowles & Ned Ror...
| Autor principal: | |
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| Formato: | Licensed eBooks |
| Lenguaje: | inglés |
| Publicado: |
Berkeley :
University of California Press
©2004.
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| Acceso en línea: | https://www.jstor.org/stable/10.1525/j.ctt1ppg9r |
Tabla de Contenidos:
- Modernist abstraction and the abstract art : Four Saints and the queer composition of America's sound
- Being musical : gender, sexuality, and musical identity in twentieth-century America
- Intermezzo. My dear Freddy : identity excesses and evasions chez Paul Bowles
- A French connection : modernist codes in the musical closet
- Queerness, eruption, bursting : U.S. musical modernism at midcentury
- Coda. Composing oneself (reprise).