TY  - GEN
T1  - Transnational Chinese cinemas : identity, nationhood, gender
A2  - Lu, Sheldon H.
LA  - English
PP  - Honolulu, HI
PB  - University of Hawaii Press
YR  - 1997
UL  - https://ebooks.jgu.edu.in/Record/jstor_eba_ocm45728411
AB  - Zhang Yimou's first film, Red Sorghum, took the Golden Bear Award in 1988 at the Berlin International Film Festival. Since then Chinese films have continued to arrest worldwide attention and capture major film awards, winning an international following that continues to grow. Transnational Chinese Cinemas spans nearly the entire length of twentieth-century Chinese film history. The volume traces the evolution of Chinese national cinema, and demonstrates that gender identity has been central to its formation. Femininity, masculinity and sexuality have been an integral part of the filmic discourses of modernity, nationhood, and history. This volume represents the most comprehensive, wide-ranging, and up-to-date study of China's major cinematic traditions. It is an indispensable source book for modern Chinese and Asian history, politics, literature, and culture.
OP  - 414
CN  - PN1993.5.C4 T65 1997eb
SN  - 9780585288451
SN  - 0585288453
SN  - 9780824865290
SN  - 0824865294
SN  - 0824818458
SN  - 9780824818456
KW  - Motion pictures : China.
KW  - Motion pictures : Taiwan.
KW  - Motion pictures : China : Hong Kong.
KW  - Cinéma : Chine.
KW  - Cinéma : Taiwan.
KW  - Cinéma : Chine : Hongkong.
KW  - PERFORMING ARTS : Film & Video : Reference.
KW  - PERFORMING ARTS : Film & Video : General.
KW  - Motion pictures
KW  - China
KW  - China : Hong Kong
KW  - Taiwan
KW  - Film
KW  - Hongkong
KW  - Motion pictures : China : History.
KW  - Motion pictures : China : Hong Kong : History.
KW  - Motion pictures : Taiwan : History.
KW  - Cinéma : Chine : Histoire et critique.
KW  - Cinéma : Taiwan : Histoire et critique.
KW  - Cinéma : Chine : Hong Kong (Chine) : Histoire et critique.
KW  - Theatre, Film and Television Studies
ER  -