Transnational Chinese cinemas : identity, nationhood, gender /
Zhang Yimou's first film, Red Sorghum, took the Golden Bear Award in 1988 at the Berlin International Film Festival. Since then Chinese films have continued to arrest worldwide attention and capture major film awards, winning an international following that continues to grow. Transnational Chin...
| Tác giả khác: | |
|---|---|
| Định dạng: | Licensed eBooks |
| Ngôn ngữ: | Tiếng Anh |
| Được phát hành: |
Honolulu, HI :
University of Hawaii Press
1997.
|
| Truy cập trực tuyến: | https://www.jstor.org/stable/10.2307/j.ctt6wqxw6 |
| Tóm tắt: | Zhang Yimou's first film, Red Sorghum, took the Golden Bear Award in 1988 at the Berlin International Film Festival. Since then Chinese films have continued to arrest worldwide attention and capture major film awards, winning an international following that continues to grow. Transnational Chinese Cinemas spans nearly the entire length of twentieth-century Chinese film history. The volume traces the evolution of Chinese national cinema, and demonstrates that gender identity has been central to its formation. Femininity, masculinity and sexuality have been an integral part of the filmic discourses of modernity, nationhood, and history. This volume represents the most comprehensive, wide-ranging, and up-to-date study of China's major cinematic traditions. It is an indispensable source book for modern Chinese and Asian history, politics, literature, and culture. |
|---|---|
| Mô tả vật lý: | 1 online resource (xiii, 414 pages) : illustrations |
| Định dạng: | Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |
| Thư mục: | Includes bibliographical references (pages 369-401) and index. |
| số ISBN: | 9780585288451 0585288453 9780824865290 0824865294 0824818458 9780824818456 |