Body, movement, and culture : kinesthetic and visual symbolism in a Philippine community /
In Body, Movement, and Culture, Sally Ann Ness provides an original interpretive account of three forms of sinulog dancing practiced in Cebu City in the Philippines: a healing ritual, a dance drama, and a "cultural" exhibition dance. Ness's examination of these dance forms yields rich...
| Kaituhi matua: | |
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| Hōputu: | Licensed eBooks |
| Reo: | Ingarihi |
| I whakaputaina: |
Philadelphia :
University of Pennsylvania Press
©1992.
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| Rangatū: | Series in contemporary ethnography.
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| Urunga tuihono: | https://www.jstor.org/stable/10.2307/j.ctt1b3h9wt |
Rārangi ihirangi:
- Ethnography and Choreography
- Troubled Times
- Views from the Swimming Pool
- The Looks of the City
- The Niñ̃o
- The Tindera Sinulog
- Customers and Performers
- Latent Symbolism in the Tindera Sinulog
- The Troupe Sinulog
- Historical Development of the Troupe Sinulog
- The Parade Sinulog
- The Symbolism of Desired Recognition
- The Resilience of the Sinulog.