Interactive cinema : the ambiguous ethics of media participation /
"Interactive Cinema explores cinematic practices that work to transform what is often seen as a receptive activity into a participatory, multimedia experience. Combining cutting-edge theory with updated conventional film studies methodologies, Marina Hassapopoulou presses at the conceptual limi...
| Kaituhi matua: | |
|---|---|
| Hōputu: | Licensed eBooks |
| Reo: | Ingarihi |
| I whakaputaina: |
Minneapolis :
University of Minnesota Press,
[2024]
|
| Rangatū: | Electronic mediations ;
v. 63. |
| Urunga tuihono: | https://www.jstor.org/stable/10.5749/jj.7492238 |
Rārangi ihirangi:
- Introduction: Interactive cinema, or the end of radical art?
- Sense and interactivity : bodily participation and exclusionary politics
- Collapsing and reconfiguring borders through interactivity
- Automation and non-/beyond-human interactivity
- Interactivity as ethics : deviant paradigms of identification in procedural spectatorship
- Afterword, or choose a different ending.