Ritual, Spectacle, and Theatre in Late Medieval Seville : Performing Empire /
From the fall of Islamic Isbīliya in 1248 to the conquest of the New World, Seville was a nexus of economic and religious power where interconfessional living among Christians, Jews, and Muslims was negotiated on public stages. From out of seemingly irreconcilable ideologies of faith, hybrid perfor...
| Kaituhi matua: | |
|---|---|
| Hōputu: | Licensed eBooks |
| Reo: | Ingarihi |
| I whakaputaina: |
Leeds :
Arc Humanities Press,
[2023]
|
| Rangatū: | Book collections on Project MUSE.
|
| Urunga tuihono: | https://www.jstor.org/stable/10.2307/jj.7941384 |
Rārangi ihirangi:
- COVER
- Contents
- List of Illustrations
- Abbreviations
- Notes
- Acknowledgements
- Introduction: Theatres of Absence
- 1. The Cantigas de Santa Maria
- 2. Penance, Conversion, and Affective Convivencia
- 3. Strange Infidels in the Imperial Metropole
- Conclusion: Walking Ghosts
- Bibliography
- Index