The films of Kim Ki-Young
| Formatua: | Licensed eBooks |
|---|---|
| Hizkuntza: | ingelesa |
| Argitaratua: |
[S.l.] :
EDINBURGH UNIV PRESS,
2023.
|
| Saila: | ReFocus: the international directors series.
|
| Sarrera elektronikoa: | https://www.jstor.org/stable/10.3366/jj.1011812 |
Aurkibidea:
- <P>List of Figures</P><P>Notes on Film Titles, Romanization of Korean Names, and Film Festival<BR>Acknowledgement<BR>Notes on Contributors</P><P></P><P>Introduction: Kim Ki-young, The First Global South Korean Auteur
- <I>Chung-kang Kim</P></I><P></P><P><B>Part 1: Beyond the Border: Transnational/Hybridity/Border-Crossing</B></P><P>1. Kim Ki-young at the Intersection of Cold War Alliance, Reconstruction, and the Artistic Impulse
- <I>Han Sang Kim</I></P><P>2. 'We Shall All Need That Basket/A-Frame Carrier' A Comparative Analysis of <I>Goryeojang </I>(1963) and <I>Ballad of Narayama </I>(1958/1983)
- <I>Kyu Hyun Kim</I></P><P>3. Love Thy Enemy: Kim Ki-young's exploration of Korean-Japanese romance in <I>The Sea Knows</I> (1961)
- <I>Russell Edwards</P></I><P><B>Part 2: Beyond the Norm: Psychology, Biopolitics, and Sexuality</B></P><P>4. Refiguring <I>The Housemaid </I>(1960)'s Singularity: from Dualism to Triadism Based on the Lacanian Perspective
- <I>Sohyoun Kim</I></P><P>5. Men, Women, and the Electric Household: Kim Ki-young's Housemaid Films
- S<EM>teve Choe</EM></P><P>6. To Speak and To Be Spoken For: Deafness, Stuttering and the Women in the Films of Kim Ki-young
- <I>Ariel Schudson</P></I><P><B>Part 3: Becoming an (Global) Auteur</B></P><P>7. The Intersection of Authorship and Film Regulation During the Period of Military Rule: An Analysis of Kim Ki-young's National Policy Films, <I>Soil </I>(1978) and <I>Water Lady </I>(1979)
- <I>Molly Kim</I></P><P>8. Rediscovering Kim Ki-young: The Rise of the South Korean Auteur on the Film Festival Circuit
- <I>Jason Bechevaise</P><P></P></I><P>Appendix </P>