The films of Kim Ki-Young ([S.l.] : EDINBURGH UNIV PRESS, 2023)
List of Figures Notes on Film Titles, Romanization of Korean Names, and Film Festival Acknowledgement Notes on Contributors Introduction: Kim Ki-young, The First Global South Korean Auteur -- Chung-kang Kim Part 1: Beyond the Border: Transnational/Hybridity/Border-Crossing 1. Kim Ki-young at the Intersection of Cold War Alliance, Reconstruction, and the Artistic Impulse -- Han Sang Kim 2. 'We Shall All Need That Basket/A-Frame Carrier' A Comparative Analysis of Goryeojang (1963) and Ballad of Narayama (1958/1983) -- Kyu Hyun Kim 3. Love Thy Enemy: Kim Ki-young's exploration of Korean-Japanese romance in The Sea Knows (1961) -- Russell Edwards Part 2: Beyond the Norm: Psychology, Biopolitics, and Sexuality 4. Refiguring The Housemaid (1960)'s Singularity: from Dualism to Triadism Based on the Lacanian Perspective -- Sohyoun Kim 5. Men, Women, and the Electric Household: Kim Ki-young's Housemaid Films -- Steve Choe 6. To Speak and To Be Spoken For: Deafness, Stuttering and the Women in the Films of Kim Ki-young -- Ariel Schudson Part 3: Becoming an (Global) Auteur 7. The Intersection of Authorship and Film Regulation During the Period of Military Rule: An Analysis of Kim Ki-young's National Policy Films, Soil (1978) and Water Lady (1979) -- Molly Kim 8. Rediscovering Kim Ki-young: The Rise of the South Korean Auteur on the Film Festival Circuit -- Jason Bechevaise Appendix
Includes bibliographical references and index.
JSTOR
Keywords: Kim, Ki-yŏng, -- 1919-1998 -- Criticism and interpretation; Kim, Ki-yŏng, -- 1919-1998; Motion picture producers and directors -- Korea (South); Producteurs et réalisateurs de cinéma -- Corée du Sud; Motion picture producers and directors; Korea (South); Criticism, interpretation, etc