Monstrous beings and media cultures : folk monsters, im/materiality, regionality /
<Cite>Monstrous Beings of Media Cultures</cite> examines the monsters and sinister creatures that spawn from folk horror, Gothic fiction, and from various sectors of media cultures. The collection illuminates how folk monsters form across different art and media traditions, and interroga...
| その他の著者: | , |
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| フォーマット: | Licensed eBooks |
| 言語: | 英語 |
| 出版事項: |
Amsterdam :
Amsterdam University Press,
[2023]
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| シリーズ: | Horror and Gothic Media Cultures
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| オンライン･アクセス: | https://www.jstor.org/stable/10.2307/jj.6253295 |
目次:
- Introduction
- Folk Monsters and Monstrous Media: The Im/materialities, Modalities, and Regionalities of Being(s) Monstrous (Allison Craven and Jessica Balanzategui) Chapter One
- The Momo Challenge as Urban Legend: Child and Adult Digital Cultures and the Global Mediated Unconscious (Jessica Balanzategui) Chapter Two
- Every Imaginable Invention of the Devil: Summoning the Monstrous in Eurocentric Conceptions of Voodoo (Karen Horsley) Chapter Three
- The Forest and the Trees: The Woods as Intersection between Documentary, Fairy Tale, and Internet Legend in <cite>Beware the Slenderman</cite> (Naja Later) Chapter Four
- Mark Duplass as Mumbelgore Serial Killer: Fictional Vernacular Filmmaking in the <cite>Creep</cite> series (Andrew Lynch) Chapter Five
- Monsters in the Forest: 'Little Red Riding Hood' Crimes and Ecologies of the Real and Fantastic (Cristina Bacchilega and Pauline Greenhill) Chapter Six
- A Mother's Milk: Motherhood, Trauma, and Monstrous Children in Folk Horror (Emma Maguire) Chapter Seven
- Documenting the Unheard: The Poetics of Listening and Empathy in <cite>The Family</cite> (Stephen Gaunson) Chapter Eight
- Reimagining the <cite>Pontianak</cite> Myth in Malaysian Folk Horror: Flexible Tradition, Cinema, and Cultural Memory (Andrew Ng) Chapter Nine
- An Uncommon Ancestor: Monstrous Emanations and Australian Tales of the Bunyip (Allison Craven) Chapter Ten
- The Folk Horror "Feeling": Monstrous Modalities and the Critical Occult (Jessica Balanzategui and Allison Craven)