W.G. Sebald's artistic legacies : memory, word and image /
When the mind turns more than one would wish towards questions of - as W.G. Sebald puts it - the "natural history of destruction", comparative consideration by artists and interdisciplinary scholars is directed to the interstices between images, novel, essay, (auto)biography, memorial and...
| Ētahi atu kaituhi: | , , , |
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| Hōputu: | Licensed eBooks |
| Reo: | Ingarihi |
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Amsterdam :
Amsterdam University Press,
[2023]
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| Rangatū: | Heritage and memory studies.
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| Urunga tuihono: | https://www.jstor.org/stable/10.2307/j.ctv37363wr |
Rārangi ihirangi:
- Cover
- Table of Contents
- Introduction
- Leonida Kovač
- I. Sebald's Writings, History and Voids
- 1. W.G. Sebald's Cartographic Images
- Mapping the Historical Void
- Anna Seidl
- 2. Imaging the Uncanny Memory
- War and the Isenheim Altarpiece in 1917-19
- Juliet Simpson
- 3. The Worlds of Eternal Present
- The Quest for the Hidden Patterns of Baroque Thought in Sebald's literature
- Jelena Todorović
- 4. Seeing the Void?
- On Visual Representations of "Arisierungen," Forced Absences, and Forms of Taking Inventory in the Installation Invent arisiert by Arno Gisinger
- Veronika Rudorfer
- II. Memory and Art in and Through Sebald
- 5. Monument and Memory
- Mark Edwards
- 6. In the Labyrinth
- Sebald's (Postwar) French Connections
- Catherine Annabel
- 7. Leaning Images
- Reading Nasta Rojc and Ana Mušćet
- Sandra Križić Roban
- 8. Working with Images
- Documentary Photography in the Oeuvres of Mike Kelley and W.G. Sebald
- Francesca Verga
- 9. Ghostwriting and Artists' Texts
- Raqs Media Collective's We Are Here, But Is It Now?
- Ilse van Rijn
- III. Writing with Images: Academic Practices and / as Ethical Commitment
- 10. Models for Word and Image
- Georges Rodenbach to Christian Bök
- James Elkins
- 11. On Writing
- Propositions for Art History as Literary Practice
- Tilo Reifenstein
- 12. Memory, Word, and Image in Sebald and Joyce
- Towards a Transhistorical Ethics Communicated Through Minor Interventions in the Form of the Printed Book
- Christa-Maria Lerm Hayes
- 13. Sebald's Toute la mémoire du monde
- Leonida Kovač
- 14. As a Dog Finds a Spear
- Hilde Van Gelder
- List of Contributors
- Index
- List of Figures
- Figure 1 Diagram, W.G. Sebald. Austerlitz. New York: Modern Library, 2001, p. 31
- Figure 2 Map, W.G. Sebald, W.G. The Rings of Saturn. New York: New Directions, 1999, p. 148
- Figure 3 Arno Gisinger, Invent arisiert, 2000
- Figure 4 Arno Gisinger, Ohne Titel / Untitled, from the series Invent arisiert, 2000, Lambdaprint on aluminum, 25 x 20 cm
- Figure 5 Arno Gisinger, Ohne Titel / Untitled, from the series Invent arisiert, 2000, Lambdaprint on aluminum, 25 x 20 cm
- Figure 6 Arno Gisinger, Ohne Titel / Untitled, from the series Invent arisiert, 2000, Lambdaprint on aluminum, 25 x 20 cm
- Figure 7 Site of former Seething airfield
- Figure 8 Seething Airfield
- Figure 9 Recovered War Memorial, Great Yarmouth, 2002
- Figure 10 No. II, 2014
- Figure 11 Monument, installation view, SCVA, Norwich 2014
- Figure 12 Ana Mušćet, from the series I Fighter (2018)
- Figure 13 Nasta Rojc, Alexandrina Onslow, private photo album Bajna bašta (Bajina bašta)
- Figure 14 From the private photo album belonging to Nasta Rojc
- Figure 15 Nasta Rojc, unpublished autobiography Svjetlo, sjene, mrak [Light, Shadows, Darkness], 1918-19. Ana Mušćet, from the series, I Fighter, 2018