Crossing boundaries & confounding identity : Chinese women in literature, art, and film /

"Examines literary, historical, and cultural portrayals of Chinese women, across centuries and continents"--

التفاصيل البيبلوغرافية
مؤلفون آخرون: Hughes, Cheryl D., 1945- (المحرر)
التنسيق: Licensed eBooks
اللغة:الإنجليزية
منشور في: Albany : State University of New York Press, [2023]
سلاسل:SUNY series in Asian studies development.
الوصول للمادة أونلاين:https://www.jstor.org/stable/10.2307/jj.18255566
جدول المحتويات:
  • Intro
  • Contents
  • List of Illustrations
  • Acknowledgments
  • Preface
  • Introduction
  • Works Cited
  • Chapter 1 Emily Georgiana Kemp: An Early Twentieth-Century Traveler's Perspective on the Heart-Mind of China
  • Acknowledgments
  • Notes
  • Works Cited
  • Chapter 2 Women's Agency at the Close of Ming Dynasty China: Vulnerability, Violation, and Vengeance in Ling Mengchu's Vernacular Short Stories
  • Vulnerability
  • Accepting the Assailant
  • Vengeance
  • Context: Late Ming Dynasty
  • Notes
  • Works Cited
  • Chapter 3 A Flight of Cultural Imagination in Heian Japan: The Image of Yang Guifei in Genji monagatori and "Chang hen ge"
  • The "Chang Hen Ge" Paradigm
  • The Poetic Flight of the Figure of a Maboroshi in Genji Monogatari
  • Chapter 1: The Figure of Yang Guifei in the First Generation of an Amorous Hero in Genji
  • Chapter 41: The Figure of Yang Guifei in the Second Generation of an Amorous Hero in Genji
  • Chapter 54: The Figure of Yang Guifei in the Third Generation of an Amorous Hero in Genji
  • Conclusion
  • Notes
  • Works Cited
  • Chapter 4 Women Generals and Martial Maidens: China's Warrior Women in History, Literature, and Film
  • Notes
  • Works Cited
  • Chapter 5 Women in Male Roles: Cross-Dressed Actresses in Early Twentieth-Century China
  • Becoming the "Man of the House"
  • The Appeal of the Female Laosheng
  • Meng Xiaodong: Actresses and Image
  • Conclusion
  • Notes
  • Works Cited
  • Chapter 6 Pavilion of Women: Gender Politics and Global Cultural Translatability
  • Textual Migration: Transcultural Duality and Global Media Politics
  • Translated Subaltern
  • Sexualized Narrative
  • Schizophrenic Cinema
  • Notes
  • Works Cited
  • Chapter 7 Gendered Screens: Women, Space, and Social Transformation in the Works of Contemporary Chinese Female Filmmakers
  • Space, Cinema, Gender
  • The Unhomely Home: My Father and I and Shanghai Women
  • The Modernizing City: Go Lala Go! and Shanghai Story
  • Across Time and Space: Somewhere Only We Know and Please Remember Me
  • Conclusion
  • Works Cited
  • Chapter 8 Women in Chinese Visual Art over the Past Century
  • Works Cited
  • Chapter 9 "Lessons for Women": From The Good Earth to Leftover Women
  • From Histories to Herstories
  • Herstory or Women's History
  • The Beginnings of the Cultural and Moral Landscape
  • History from the Top Down: the Dowager Empress
  • History from the Bottom Up: The Peasantry
  • From Footbinding and Concubinage to the Anti-Footbinding Movement
  • From the Anti-Footbinding Movement to Women in the State
  • Love and Marriage
  • From Marriage to Family Reverence
  • Large-Scale Tragedies
  • "The World Is Yours": Mao's Promises and Deng's Fulfillment of Promises
  • One Child Only or Fertility Control
  • The Revenge: China's Leftover Women
  • Conclusion
  • Notes
  • Works Cited
  • Index

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