The films of Antoinetta Angelidi /

"Angelidi's work has become synonymous with Greek Experimental Cinema, while her films and her theoretical writings have been the subject of numerous film courses, critical essays and retrospectives. The inversion and juxtaposition of codes, as well as the dream-mechanism and the uncanny,...

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Podrobná bibliografie
Další autoři: Bouska, Penny (Editor), Petridis, Sotiris, 1990- (Editor)
Médium: Licensed eBooks
Jazyk:angličtina
Vydáno: Edinburgh : Edinburgh University Press, [2023]
Edice:ReFocus: the international directors series.
On-line přístup:https://www.jstor.org/stable/10.3366/j.ctv32vqh3k
Obsah:
  • Frontmatter
  • Contents
  • Figures
  • Notes on Contributors
  • Acknowledgements
  • Prolegomenon
  • Part 1 Feminism and the Avant-Garde
  • Chapter 1 Weird Mothers: The Feminist Uncanniness of Antoinetta Angelidi's Topos
  • Chapter 2 'Every Element in a Film Narrates': The Complex Language of Heterogeneity in Idées Fixes / Dies Irae as a (Feminist) Critique to the Practice of Methodological Categorisation in Avant-garde Film History
  • Part 2 Concepts and Interpretations
  • Chapter 3 Thief or Reality: Visual Dialectics on Death Instincts
  • Chapter 4 Childhood, Desire and Identity in The Hours
  • Chapter 5 Erased Ghost: The Deriddean Spectrality of Angelidi's Signs in Idées Fixes / Dies Irae
  • Chapter 6 The Cinematic Sublime in Antoinetta Angelidi's Thief or Reality
  • Part 3 Means and Media
  • Chapter 7 From Orchestrated Noise to Elaborated Silence: The Audiovisuality of Antoinetta Angelidi's Films
  • Chapter 8 Dreyer, Magritte and Other Obsessions: Figural Invention in Antoinetta Angelidi's Idées Fixes / Dies Irae
  • Variations on the Same Subject
  • Chapter 9 Antoinetta Angelidi: The Visual Gaze
  • Interview with Antoinetta Angelidi
  • Giving Birth to her Films: Wandering with Antoinetta Angelidi
  • Appendix: Visual material selected by Antoinetta Angelidi
  • Index