Cinema of discontent : representations of Japan's high-speed growth /
Uses popular films to reveal the tensions generated during Japan's postwar ""economic miracle,"" challenging the prevailing view that it was a story of great national success.
| প্রধান লেখক: | |
|---|---|
| বিন্যাস: | Licensed eBooks |
| ভাষা: | ইংরেজি |
| প্রকাশিত: |
Albany :
State University of New York Press,
2022.
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| মালা: | SUNY series, horizons of cinema.
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| অনলাইন ব্যবহার করুন: | https://www.jstor.org/stable/10.2307/jj.18252263 |
সূচিপত্রের সারণি:
- Introduction: Narrating High-Speed Growth through Film
- 1 Drifting in Tokyo: Reconstruction and Uneven Development in Kawashima Yūzō's Susaki Paradise Red Light (1956)
- 2 A Girl from Izu: Labor Migration and Modern Subjectivity in Masumura Yasuzō's Blue-Sky Girl (1957)
- 3 Osaka, City of Spies: The Powerless Worker in Industrial Society in Inoue Akira's Black Weapon (1964)
- 4 Yokohama Romance: The Cold War, Revolution, and Asian Solidarity in Ezaki Mio's A Warm Misty Night (1967)
- 5 Waiting for Spring in Shiretoko: A Postscript to High-Speed Growth in Kumashiro Tatsumi's The Light of Africa (1975)