The global rules of art : the emergence and divisions of a cultural world economy /
A trailblazing look at the historical emergence of a global field in contemporary art and the diverse ways artists become valued worldwidePrior to the 1980s, the postwar canon of "international" contemporary art was made up almost exclusively of artists from North America and Western Europ...
| المؤلف الرئيسي: | |
|---|---|
| التنسيق: | Licensed eBooks |
| اللغة: | الإنجليزية |
| منشور في: |
Princeton :
Princeton University Press,
[2022]
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| الوصول للمادة أونلاين: | https://www.jstor.org/stable/10.2307/j.ctv2m7c5qv |
جدول المحتويات:
- Frontmatter
- Contents
- List of Illustrations
- List of Tables
- Preface: An Unsettling Success
- 1 A Global Field Approach to Art and Culture
- Part I. The Emergence of a Global Field in the Contemporary Visual Arts
- 2 The Genesis of a Global Artistic Subfield
- 3 From an International Avant-Garde Market to a Global Commercial Subfield
- Part II. Dynamics of Artistic Recognition in the Globalizing Field
- 4 Cross-Border Valuation between Art Experts and the Market
- 5 Diversity and Careers in a Dual Cultural World Economy
- Part III. Creative Lives
- 6 Becoming a Global Artist at the Relatively Autonomous Pole
- 7 The Hype of the Chinese Market Star Yue Minjun
- 8 "Global Art" between Autonomy and Heteronomy
- Epilogue
- Acknowledgments
- Appendices
- Notes
- References
- Index