Bartók, Hungary, and the renewal of tradition : case studies in the intersection of modernity and nationality /
"It is well known that Béla Bartók had an extraordinary ability to synthesize Western art music with the folk music of Eastern Europe. What this study makes clear is that, contrary to much prevailing thought about the great twentieth-century Hungarian composer, Bartók was also strongly influ...
| Prif Awdur: | |
|---|---|
| Fformat: | Licensed eBooks |
| Iaith: | Saesneg |
| Cyhoeddwyd: |
Berkeley :
University of California Press,
[2006]
|
| Cyfres: | California studies in 20th-century music ;
5. |
| Mynediad Ar-lein: | https://www.jstor.org/stable/10.1525/j.ctt1pnmh1 |
Tabl Cynhwysion:
- Introduction
- Tradition rejected : Bartók's polemics and the nineteenth-century Hungarian musical inheritance
- Tradition maintained : nationalism, verbunkos, Kossuth and the Rhapsody, op. 1
- Tradition transformed : "The night's music" and the pastoral roots of a modern style
- Tradition challenged : confronting Stravinsky
- Tradition transcribed : the Rhapsody for violin no. 1, the politics of folk-music research, and the artifice of authenticity
- Tradition restored : the Violin concerto, verbunkos, and Hungary on the eve of World War II.