The philosophy of neo-noir /

Film noir--a cycle of American films from the 1940s and '50s--is characterized not only by a constant opposition of light and shadow and a disruptive compositional balance of frames and scenes, but also by dark, foreboding characters and plots and an overriding sense of alienation and moral amb...

Szczegółowa specyfikacja

Opis bibliograficzny
Kolejni autorzy: Conard, Mark T., 1965-
Format: Licensed eBooks
Język:angielski
Wydane: Lexington, Ky. : University Press of Kentucky, ©2007.
Seria:Philosophy of popular culture.
Dostęp online:https://www.jstor.org/stable/10.2307/j.ctt2jcts3
Spis treści:
  • pt. 1. Subjectivity, knowledge, and human nature in neo-noir
  • pt. 2. Justice, guilt, and redemption : morality in neo-noir
  • pt. 3. Elements of neo-noir.