The philosophy of neo-noir /
Film noir--a cycle of American films from the 1940s and '50s--is characterized not only by a constant opposition of light and shadow and a disruptive compositional balance of frames and scenes, but also by dark, foreboding characters and plots and an overriding sense of alienation and moral amb...
| Ētahi atu kaituhi: | |
|---|---|
| Hōputu: | Licensed eBooks |
| Reo: | Ingarihi |
| I whakaputaina: |
Lexington, Ky. :
University Press of Kentucky,
©2007.
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| Rangatū: | Philosophy of popular culture.
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| Urunga tuihono: | https://www.jstor.org/stable/10.2307/j.ctt2jcts3 |
Rārangi ihirangi:
- pt. 1. Subjectivity, knowledge, and human nature in neo-noir
- pt. 2. Justice, guilt, and redemption : morality in neo-noir
- pt. 3. Elements of neo-noir.