The feminist avant-garde in American poetry /

The Feminist Avant-Garde in American Poetry offers a historical and theoretical account of avant-garde women poets in America from the 1910s through the 1990s and asserts an alternative tradition to the predominantly male-dominated avant-garde movements. Elisabeth Frost argues that this alternative...

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Detalhes bibliográficos
Autor principal: Frost, Elisabeth A. (Elisabeth Ann), 1963-
Formato: Licensed eBooks
Idioma:inglês
Publicado em: Iowa City : University of Iowa Press, [2003].
Colecção:Book collections on Project MUSE.
Acesso em linha:https://www.jstor.org/stable/10.2307/j.ctt20q209v
Sumário:
  • Part I. Women Poets and the Historical Avant-Gardes.
  • "Replacing the Noun": Fetishism, Parody, and Gertrude Stein's Tender Buttons
  • "Crisis in Consciousness": Mina Loy's "Anglo-Mongrels and the Rose"
  • Part II. Agendas of Race and Gender.
  • "a fo / real / revolu/shun": Sonia Sanchez and the Black Arts Movement
  • Part III. Traditions of Marginality.
  • "Unsettling" America: Susan Howe and Antinomian Tradition
  • "Belatedly Beladied Blues": Hybrid Traditions in the Poetry of Harryette Mullen.