The feminist avant-garde in American poetry /
The Feminist Avant-Garde in American Poetry offers a historical and theoretical account of avant-garde women poets in America from the 1910s through the 1990s and asserts an alternative tradition to the predominantly male-dominated avant-garde movements. Elisabeth Frost argues that this alternative...
Autor principal: | |
---|---|
Formato: | Licensed eBooks |
Idioma: | inglês |
Publicado em: |
Iowa City :
University of Iowa Press,
[2003].
|
Colecção: | Book collections on Project MUSE.
|
Acesso em linha: | https://www.jstor.org/stable/10.2307/j.ctt20q209v |
Sumário:
- Part I. Women Poets and the Historical Avant-Gardes.
- "Replacing the Noun": Fetishism, Parody, and Gertrude Stein's Tender Buttons
- "Crisis in Consciousness": Mina Loy's "Anglo-Mongrels and the Rose"
- Part II. Agendas of Race and Gender.
- "a fo / real / revolu/shun": Sonia Sanchez and the Black Arts Movement
- Part III. Traditions of Marginality.
- "Unsettling" America: Susan Howe and Antinomian Tradition
- "Belatedly Beladied Blues": Hybrid Traditions in the Poetry of Harryette Mullen.