A bastard kind of reasoning : William Blake and geometry /
What do Einsteinian relativity, eighteenth-century field theory, Neoplatonism, and the overthrow of three-dimensional perspective have in common? The poet and artist William Blake's geometry--the conception of space-time that informs his work across media and genres. In this illuminating, inven...
| Váldodahkki: | |
|---|---|
| Materiálatiipa: | Licensed eBooks |
| Giella: | eaŋgalasgiella |
| Almmustuhtton: |
Albany, NY :
State University of New York Press,
[2023]
|
| Ráidu: | SUNY series, studies in the long nineteenth century.
|
| Liŋkkat: | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=3469382 |
Sisdoallologahallan:
- Introduction: Geometry and Blake's Newton print
- Chapter 1. "Oh, but you're just analogizing..."
- Chapter 2. Learning to read in a force field: Songs of Innocence, Hartleyan psychology, and the physics of R.J. Boscovich
- Chapter 3. The Book of Urizen as a vortex of perception
- Chapter 4. A brief particular history of the fourth dimension of space, with special reference to Milton: A Poem
- Chapter 5. The Neoplatonism of Blake's mundane soul
- Chapter 6. Berkeley: very close, but no cigar
- Conclusion: The unified space-time of The Vision of the Last Judgment.