China pluperfect. II, Practices of past and outside in Chinese art /
"This book contains analysis of different domains of contemporary art in China seen through the lens of the epistemological changes described in China Pluperfect I: Epistemology of Past and Outside in Chinese Art.It first looks at the concept of "ink art," describing how it meant diff...
| Tác giả chính: | |
|---|---|
| Định dạng: | Licensed eBooks |
| Ngôn ngữ: | Tiếng Anh |
| Được phát hành: |
Hong Kong :
The Chinese University of Hong Kong Press,
[2022]
|
| Truy cập trực tuyến: | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=3506211 |
Mục lục:
- Introduction
- Chapter 1 Hong Kong Ink: A History of Past and Outside
- Bamboo Curtain and Mass Media
- Ink Society in Hong Kong
- Hong Kong Ink Art Museum
- Marginalization of Hong Kong Art
- Chapter 2 "When Is a Landscape Like a Body?"
- The Mollywood Series
- Mundane Mind and "Paintings of Beauties"
- Gender Positioning in Literati Culture
- Hong Kong Mundanity and Patriarchy in Mainland China
- Chapter 3 From Rural to Urban and Back Again
- Peace Reigns over the Riverin Hong Kong
- River of Wisdom in Shanghaiand Hong Kong
- Anti-urban Bias of the Maoist Period
- Pro-urban Bias of the 1990s and Beyond
- Chapter 4 New Urban Frontier
- "One Country, Two Systems,"and One Border
- The City over the Border: Shenzhen
- Three Plasticians in Shenzhen
- Art Market and Institutional Critique
- Chapter 5 New Rural Frontier
- Peasant Paintings duringthe Maoist Period
- "Beautiful Countryside"
- "Reviving the Countrythrough Culture"
- Socially-Engaged Art Practices in the Hong Kong Countryside
- Chapter 6 Multi-cultural World
- Past and Outside
- Mobility as Privilege
- Mobility as Necessity