Transmodern : an art history of contact, 1920-60.
Transmodern examines the global dimension of modern art by tracing the crossroads of modernisms in Asia, Europe and the Americas. It explores path-breaking transcultural art practices from the 1920s to the 1960s in the framework of decolonial movements and transcultural thinking.
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| Awduron Eraill: | |
| Fformat: | Licensed eBooks |
| Iaith: | Saesneg |
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Manchester :
Manchester University Press,
2022.
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| Cyfres: | Rethinking Art's Histories Ser.
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| Mynediad Ar-lein: | https://www.jstor.org/stable/10.2307/j.ctv333krzc |
Tabl Cynhwysion:
- Front Matter
- Dedication
- Contents
- List of figures
- Acknowledgements
- Introduction
- Towards a postcolonial art history of contact
- In the shade of tall mango trees: art education and transcultural modernism in the context of the Indian independence movement
- Transcultural beginnings: decolonisation, transculturalism,and the overcoming of race
- Trees of knowledge: anthropology, art, and politics. Melville J. Herskovits and Zora Neale Hurston
- The migrant as catalyst: Winold Reiss and the Harlem Renaissance
- Encounters with masks: counter-primitivisms in Black modernism
- Purity of art in a transcultural age: modernist art theory and the culture of decolonisation
- Painting the global history of art: Hale Woodruff's The Art of the Negro
- Bibliography
- Index