White musical mythologies : sonic presence in modernism /
"Examining a series of modernist thinkers and composers who engaged with non-European cultures as they pursued pure sound as a privileged presence, White Musical Mythologies pairs Erik Satie with Bergson, Edgard Varèse with Bataille, Pierre Boulez with Artaud, and John Cage with Derrida to off...
| Kaituhi matua: | |
|---|---|
| Hōputu: | Licensed eBooks |
| Reo: | Ingarihi |
| I whakaputaina: |
Stanford, California :
Stanford University Press,
[2023]
|
| Rangatū: | Sensing media (Series)
|
| Urunga tuihono: | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=3616563 |
Rārangi ihirangi:
- Prelude : a silence filled with speech
- The ontology of the ineffable : Satie and Bergson
- Ontological machines : Varèse and Bataille
- Ontological appropriation : Boulez and Artaud
- The written being of sound : Cage and Derrida
- Postlude : a simulacrum of presence.